Published: March 2025 (8 months ago) in issue Nº 428
Keywords: Pitanga Cultural Centre, Pyrography, Mixed-media artworks, Art, Exhibitions and Paintings
References: Crystal
The heart’s pure sight - an exhibition by Crystal
Artwork by Crystal
At the core of Crystal’s technique is pyrography - “writing with fire” - a method that engraves the wood’s natural grain with intricate patterns. This process brings the birch’s innate texture to the forefront, serving as both a foundation and a dynamic element of the composition. Layered upon these natural forms are mixed media elements: watercolours, ink, soft pastels, and bister (a natural brown pigment made from soot or wood ash), all enriched by accents of gold and copper. The resulting palette transitions from soft, earthy tones to more vivid reds and oranges, or even subtle hues of blues and pastels, suggesting a dialogue between the tangible qualities of the material and a more elusive, spiritual dimension.
One of the pieces in the exhibition uses the swirling grain of the wood to evoke the sense of moving water, with delicate lotus flowers emerging naturally from these patterns. The lotus, a recurrent symbol in Crystal’s work, hints at themes of transformation and quiet spiritual insight. In this composition, the organic flow of the wood and the precise application of paint work together to blur the line between the material and its interpretation, inviting viewers to engage with the work on multiple levels.
Lotus flowers pyrography
In another work, the natural grain takes a subtler role, receding into the background to allow the layered imagery to speak for itself. Here, the emphasis shifts to a carefully balanced composition where the inherent texture of the wood complements rather than competes with the painted elements. This approach highlights Crystal’s thoughtful consideration of when to foreground the material’s qualities and when to let symbolic elements take centre stage, allowing greater scope for more complex and detailed mandala artwork.
A third composition takes a more direct approach by fully embracing the wood’s inherent structure. A graceful curve within the grain serves as a natural horizon, upon which a minuscule yet potent depiction of a setting sun is suggested through a careful interplay of colour and form. This piece underscores the artist’s intention to use the material’s natural characteristics as a guiding element in the overall narrative, transforming what might have been a mere detail into a prominent feature of the artwork.
Window with horizon
The layered imagery, interwoven with recurring symbols such as circles, geometric patterns, and representations of nature, reflects Crystal's ongoing exploration of the mystical and spiritual aspects of life. The work does not overwhelm the viewer with complexity but rather encourages an introspective and thoughtful engagement - the intricacies invite one to step closer to the art piece and look at how the natural properties of wood can be harmoniously integrated with artistic vision. At its heart, this exhibition celebrates the beauty that arises when the natural world and creative vision merge in harmony.